With the spread of interactive electronic media a man alone
in his own home will never have been so well placed to fill
the inexplicable
mental space between cradle and crematorium. Computer games
and surfing the web will make
the existential problem a thing of the past. Isn’t that
great! In this promising scenario it seems only right that
books should be pushed more and more into those moments of
travel or difficult defecation that people still don’t quite
know what to do with.
All the same, given the perceived dumbing down of such a
world, when people do read they’ll no doubt want to feel
they are reading
something serious. For although the collapse of pretty well
all collective illusions – religious and political – will
have persuaded most people
that it is better to turn their mental energies to problems
exclusively technical and their emotions to the harmlessly
superficial, still it’s
hard to forget that qualities like wisdom and insight once
carried considerable prestige. It
would be nice to think one had them. And of course those
qualities tended to be associated with something called
literature. Result? You’re going to find fewer books
presenting themselves as mass market narrative and more
assuming literary pretensions, or even trying to come across
as great works of mysticism or philosophy. To be spoon fed
the triumphantly mediocre while imagining we are grappling
with the best that has ever been thought and said, this will
be the most sought after reading experience of an exciting
new millennium.
Translators can only benefit from this desire for the
presumably sophisticated. We can look forward to lots of
taxing names and fantastic
stories of foreign parts enthusiastically sustained by the
overall piety of ‘the global village’. Much of this will be
awful and some
wonderful, but don’t expect the press or the organisers of
prizes to offer you much help in
making the appropriate distinctions. They will be chiefly
and properly engaged in creating celebrity, the greatest
enemy of discrimination, but a vital prop for the confused
consumer. Every ethnic grouping the world over will have to
be seen to have a great writer – now, this
minute – a phenomenon, even a political necessity, that will
lead to a new kind of
provincialism, more chronological than geographic, where
only the strictly
contemporary is talked about and admired. Universities will
as a matter of course include on their literature syllabus
novels written
only last year while, barring occasional exhumation for the
Nobel, the achievements of ten or only five years ago will
quite reasonably be forgotten.
Of course the most reliable substitutes for real depth and
protracted reflection are cleverness and novelty. All that
glitters does at least
glitter. So you can expect as great a variety of genre and
apparent eclecticism in your bookshops as you find in the
restaurants
on a downtown main street. More even. But just as a Mexican
restaurant in London is
decidedly for Londoners and a cappuccino in Detroit has
little in common with one in Rome, so the apparent range of
excitingly different styles will mainly serve to disguise an
underlying conformity of sentiment and vision.
Hey, the real thing would be scary.
Children’s literature is going to take off, to flourish, to
boom beyond all reason. Invest in children’s literature. And
adults are going to read it. Children are going to be
encouraged to keep reading it, way beyond the age group for
which it was presumably intended. How wonderful to be
reading ‘literature’ and to be able to remain a child!
Here’s an achievement. Once upon a time, centuries back, in
one’s early teens, a young man or woman used to look forward
to initiation into the sacred mysteries of the adult world.
There were trials of strength and judgement, ceremonies. In
my day this had come down to reading Lawrence and Moravia
and Sartre under the bedclothes with a torch. And that was
still something.
Actually, it was still a great deal. But now the awful truth
is really out: THERE IS NOTHING TO BE INITIATED INTO.
Finding out that father Christmas is dad is only the first
of a series of introductions to emptiness. God is soon
dispatched. Love is quickly exposed as very much a serial
delusion (you’re lucky, son, you’ll have two homes now).
Which leaves safe sex, Ecstasy and a steady job. Give me
children’s literature any day. Or let’s make adult
literature like kid’s literature. One way or another, let’s
stay innocent. A woman on the plane tells me she’s reading
The Lord of the Rings for the tenth time. Think of the
savings.
Planes! One strategy for making sure that nothing too
serious or disturbing or genuinely new gets written will be
to keep authors on
planes, busily travelling the world to read from their
books, attend conferences, seminars,
receive prizes and generally feel less pessimistic about
life. It’s well known that most pessimists only got that way
because they
didn’t have an adoring public till they were dead. So let
them meet the public now. Let
them be flattered. Literary festivals will abound. What self
respecting author of even mediocre success has not already
received at
least five festival invitations for the year 2000? Many will
be looking at forty or fifty. Even people merely threatening
to write will be
invited to literary festivals. Kids who’ve been to writing
class, for example. No, anybody
who’s been to writing class! Why not? Minds will be kept
busy making up prize acceptance speeches. I predict lines of
up to two hundred yards at the children’s pavilion for Harry
Potter’s signature. People will be distressed
to find that the author is called something else. The
organizers will make sure there’s a decent crowd for the
poetry prize for the
mentally disabled.
Meantime, back on your modem, the web will be stretched to
breaking point with everybody’s poems and stories.
Charitable organizations
will be set up to visit websites regularly so that people
feel their material is being read, or at least looked at. Oh
the joys of website writing
schools! Invest in them. They’re coming. They’re here. Now
that we all know we’re not going to heaven, who can deny
people their shred of immortality on the page, or at
least the memory-bank. People will do deals to guarantee
that their novellas stay out their in hyper-space for all
eternity. If there was a god,
he would be envious. Be assured, as religion shrinks to no
more than the refuge of the seriously nutty (though that
number is rapidly
increasing) absolutely everybody will write! Without
exception. Festivals will not be
slow in inaugurating on line events. For children. But come
on, we’re all children, aren’t we?
In short, you can’t go too far wrong when predicting more of
the same. And of course with all the technical expertise we
have these
days, that means much much more than anyone would wish to
contemplate. But
there is a positive side to all this, and that is the
inevitable reaction against it. The practical things that
any sensible person would like to
see happen in the world of literature – publishers seeking
less to generate celebrity
through large advances and extravagant advertising,
newspapers and magazines giving space to reflective,
non-topical pieces – those are rather more improbable than
the Second Coming. No, it’s really not worth even discussing
the practical ways the publishing industry could be
improved. Life is too short. But dullness never quite
darkens the whole planet. In their own idiosyncratic fashion
a few writers will always be looking for new departures.
Someone out there will have the courage not to go to all the
festivals, to shut the world out, to turn down all the silly
assignments the press are throwing at him. Someone sitting
alone in his or her room,
concentrating, allowing days to pass without feeling the
need to see something in print, something added to his
website, reflecting, trying first this, then that,
pondering, imagining – someone somewhere, one day will say:
Ha! What about doing it this way?
So I can safely predict – and funnily enough it’s the safest
of all these predictions – that one day not too far into the
millennium I
will pick up a book, and by the fourth page sense that here
is an entirely new way not only
of looking at the world, but of writing about it. Impossible
to predict the subject matter. I suspect, but it’s only a
guess, that it will be about the workings of the mind,
though in ways Woolf and Joyce never dreamt of. I
will be tremendously excited. And no doubt like a fool I’ll
immediately try to copy it. In any event one discovery like
that every five or ten years will be quite enough. I remain
optimistic.
Copyright © Tim Parks 1999
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Tim Parks is the author of eight novels and has been awarded the John Llewellyn Rhys Prize, the Somerset Maugham Award and the Betty Trask Award. His novel Europa was shortlisted for the 1997 Booker Prize. He is also the author of two bestselling works of non-fiction, Italian Neighbours and An Italian Education. He has lived in Italy since 1981. He has his own web pages at http://www.timparks.co.uk.
Tim Parks’s most recent novel is Destiny of which the Irish Times has said: ‘On any level, at every level, this novel is a dazzling and sustained
tour-de-force…Easily the best of English fiction published so far this
year, Destiny dissects the human comedy with equal measures of humanity and humour’; according to the Sunday Telegraph Destiny is ‘A novel of rare virtuosity…breathless, exhausting, exhilarating…brilliantly imagined and executed’.